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Correction: Basketball to Music Hall story

Last Updated Jun 26, 2018 at 9:20 am EDT

Barclays Center CEO Brett Yormark, far left, Long Island University (LIU) Board Chairman Erick Krasnoff, second from left, and Brooklyn Borough President Eric Adams, far right, listen as LIU President Kimberly Cline, second from right, speak before the lowering of a scoreboard from the ornate ceiling at the old Paramount Theatre at LIU's Brooklyn campus, during kick-off ceremony for a renovation project, Thursday June 21, 2018, in New York. The Paramount, which opened its doors in 1928 as a movie palace and later converted into a gymnasium in the 1960s for LIU Blackbirds basketball, is set to undergo a two-year renovation into a cutting edge entertainment arts venue, while keeping its original decor intact. (AP Photo/Bebeto Matthews)

NEW YORK, N.Y. – In a story June 23 about the planned restoration of a Brooklyn theatre, The Associated Press erroneously reported developer Bruce Ratner’s involvement in the project. His company ceased to be involved in 2017.

A corrected version of the story is below:

Ornate NYC theatre, used for years as a gym, to be restored

Basketball to Music Hall: Ornate New York City theatre that’s been used for years as a gym is being restored to its former musical glory

By STEPHEN GROVES

Associated Press

For years, Long Island University’s basketball team played in a French Baroque movie palace in downtown Brooklyn.

The gilded wall fountains, plastered statuettes and towering, one-of-a-kind Wurlitzer organ pipes of the historic Paramount Theater were preserved by the university when it converted the big hall into a gym in the 1960s.

Now, a partnership of New York developers is returning the theatre, which once hosted the likes of Frank Sinatra, Miles Davis, Dizzy Gillespie and Chuck Berry, to its former musical glory. They ceremonially kicked off the plan this past week by lowering the scoreboard from the ornately plastered ceilings while the thundering organ vibrated the floorboards.

“It has great bones,” said John Fontillas, whose architecture firm is involved in the project. “We’re trying to bring it back to what it was originally designed to do.”

The company behind the nearby Barclays Center, BSE Global, will transform the theatre into a venue for up-and-coming musicians, as well as performances, comedy and sporting events.

They will remove the basketball court and bleachers to create space for 3,000 seats. Plans also include an “iconic” theatre entrance with a lighted marquee, an LED system for mood lighting and a state-of-the-art sound system.

BSE Global, which is leading the renovation project, first announced it in 2015 and planned construction for last fall. But it was delayed it until the end of this school year to minimize disruptions to students. Acts could begin playing in the theatre as early as mid-2019.

The Paramount opened in 1928 with the silent film “Manhattan Cocktail” and a live variety show. At the time, it seated over 4,000 people and was one of the largest theatres in New York.

While the exterior was a drab art deco office building, the interior was opulent. Fountains with goldfish greeted dressed-up theatregoers. The wall fountains, plaster decorations, and velvet draperies transported visitors into a French Baroque fantasyland. It also featured cutting-edge technology of the time, including a basement cooling system that was a precursor to air conditioning and a colour organ that cast light onto the walls to match the mood of the performances.

The architects overseeing the renovation said they are taking inspiration from the combination of technology with classic architecture. Fontillas, a partner with H3 Hardy Collaboration Architecture, said it will “have a little bit of that razzle dazzle that was back in the day, but with a contemporary feel.”

But the most inspiring feature may be the legacy of the performances that have echoed through these halls. The theatre was instrumental in introducing jazz to Brooklyn, hosting Duke Ellington and his orchestra in 1931. Ella Fitzgerald, Bing Crosby, Buddy Holly, Fats Domino, Chubby Checker and Jackie Wilson all played here as jazz evolved into rhythm and blues and rhythm and blues evolved into rock and roll.

After the theatre closed in the early 1960s, it was turned over to Long Island University, which owns the building. When the school decided to use the theatre as its home basketball gym, floor seats were levelled to install the court. But the university took pains to preserve the twin-console Wurlitzer organ and put up drywall to protect the original decor.

In 2005, the basketball team moved to a new athletic centre, and the theatre was relegated to intramural sports and a few other student events. In 2015, the university signed a 49-year lease to the partners to create the Paramount Events Center. They are spending nearly $50 million to reopen the venue.

The renovation is not the first of its kind in Brooklyn. In 2015, a public-private partnership reopened the Kings Theater a few miles to the south. The theatre has a similar history to the Paramount: it opened in 1929, closed in the 1970s, fell into neglect, and reopened as a music venue.

“This is a renaissance that is happening in Brooklyn now,” said Brooklyn Borough Historian Ron Schweiger. “It is the hottest thing happening now.”